Learning How to Salsa:
Introduction
Salsa dancing can be difficult or
easy to understand depending on who
you are learning from. Each
instructor has a different way of
teaching with different focuses. The
focus may be on how the upper body
should be held, patterns that are
found only in ballroom competitions,
mostly solo footwork, and more.
Although salsa dancing appears to be
fancy and elaborate to execute, it
is quite simple once it is broken
down into parts. Salsa involves a
number of techniques that contribute
to the whole movement in dancing.
Learning how to dance to salsa music
can be broken into three tiers with
tier one being the beginning level.
The Tier Level of salsa dancing is
based on the amount of time
committed to salsa dancing, similar
to the time you would log in to fly
a plane or helicopter. Each tier is
given the following description:
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Individualism
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Pattern
Development
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Basics
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Terminology
Arm Fan
When the lead turns the follower's
extended & rigid arm in a clockwise
or counter clockwise circle.
Arm Loop
The result of a cross hold brought
behind the leader of follower's
head. The connection remains while
the hand rests on the shoulder or
upper back.
Broken Arm (From Cross or
Single Hold)
Describes the position when any arm
is bent behind self while being
connected to the partner. This step
is similar to a hammerlock position
except that only the arm that is
behind the back is connected to the
partner, and the other hand is free.
This position describes either hand
on either leader or follower.
Butterfly
A hold or position where the
follower has their back to the
leader's front side. The follower's
arms are typically down to the sides
or slightly away from the body. This
is similar to the shadow position.
Challenge Position
When each partner faces one another
and is not connected to each other.
The distance between partners should
be about the same as in an open
hold. This position allows each
person to do solo footwork without
restrictions (shines).
Check
When the partner is stopped abruptly
during a turn by the other partner.
It involves the free hand or arm
stopping the person midway through a
complete turn. Typically executed by
the leader. The word before the word
"check" indicates the location where
the leader stops the follower.
Close Hold
The couples hold, this hold allows
the partners a level of intimacy not
found in the open hold, but does not
allow flexibility in ease of
movement. The lead's right hand is
behind the follower's back while the
follower's left arm rests on top of
that arm with the hand on the lead's
right shoulder. The lead's left hand
holds the follower's right hand out
to the side with the elbows bent. In
salsa dancing, the hold is relaxed
which means the lead does not hold
up the follower's hands or arms.
Cross Hold
When the lead's right hand is
connected to the follower's left
hand and the left hand to the
follower's left hand. Also known as
the handshake hold. A cross hold has
the right hand hold on top of the
left and the reverse cross hold when
the left hand is on top. Single
cross holds describe a cross hold
where the left hands are not
connected.
Follower
The follower is the person that
follows the leader's patterns. It
has been said that as long as the
leader knows how to dance than all
the follower has to to do is follow.
This is untrue because the follower
must at least have the sense of how
to move through the patterns. The
follower can either be a man or a
woman.
Free Turn
When the follower (or leader) turns
without being held by the leader (or
follower). A free turn is usually
initiated by the leader. Can be an
outside or inside turn.
Hairbrush
This step is similar to the head or
arm loop except that the hold is
released when the hand is behind the
partner's head. The act of pulling
back the free hand away from the
partner is called the hairbrush.
Hammerlock (From Open Hold)
Describes the position in which the
follower's left arm is bent behind
the back while the follower's right
arm is held straight away from the
body. The follower is in this
position when the leader, in an open
hold, brings the follower's left
hand low while the right hand hold
is up high for the turn. The leader
turns the follower so that the
follower's left arm ends behind
their back. A reverse hammerlock is
when the follower's right hand is
behind the ack while the left arm is
straight and away from the
follower's body.
Head Loop
See "Arm Loop."
Hip Turn
When the leader pushes the follower
into a turn by having the hand(s) at
the follower's hip(s). Can be an
outside or inside turn.
Hook Turn
Describes a turn where one foot is
placed on the outside of the other
foot, the person pushes off to turn
and ends with the opposite leg in
front of the other leg.
Leader
In dancing, there are no "men" or
"women" roles. The leader is simply
the individual that leads the
partner into a series of patterns of
movement. The leader can be either a
man or a woman.
Open Break
When the leader firmly pushes the
follower away only to pull them
back. An close analogy would be when
a rubber band is pulled apart and
snaps back to it's original size. It
it typically done to bring the
follower further away from the
leader or in preparation of a step.
Open Hold
This is the best hold for conducting
patterns because it allows the lead
and follower to pass each other
quickly with ease. The lead's right
holds the follower's left while the
left holds the follower's right.
This is the preferred position for
partners that are non-couples
because it maintains, to a degree,
the individual's personal space.
Reverse
Describes a pattern or position that
is opposite of the original pattern.
Examples are reverse cross holds,
reverse hammerlocks, and reverse
cross body leads.
Shadow Position
Whenever the leader has their back
to the follower's front side. The
arms may be at the shoulder or down
to the sides. This is similar to the
butterfly position.
Shines (solo footwork)
A generalized term that
describes the series of footwork
that makes a solo pattern. Shines
are usually done solo but are also
done in sync with a partner, usually
for a competition or show.
Slot
This refers to the partners
maintaining a line when doing the
basic steps. The concept states that
the line is always maintained. An
example is the cross-body lead. When
the lead crosses the follower, the
follower must be facing 180 degrees
from where they orginally started
thus maintaining the line. The goal
of a new lead is to be able to move
a follower exactly 180 from where
they originally were. A sharp
cross-body lead demonstrates control
and gives a level of predictability
on where the follower will end up
after a pattern.
Spiral Turn
Any turn that involves one foot
weighted down to the ground. The
free foot may be up, next to the
weighted foot, out in the air, etc.
Syncopated Step
Also known as double time,
syncopated steps means that the
person takes an extra step per
count. A half basic is 3.5 counts so
doubling that means the person steps
a total of 6.5 steps. This also
means the dancer has to step faster
to stay on count, as syncopated
steps stay within the boundaries of
the count.
Turns: Right & Left vs.
Outside & Inside
A the term right & left turn refers
to the leader turning. This is to
help the reader distinguish between
the leader's turns and the
follower's turns. Follower's turns
are referred to either inside or
outside. Outside turns are the same
as right turns whereas inside turns
are the same as left turns.
Walk-Around
When a person walks around a partner
that remains in a spot. The partner
that is in one spot is can turn if
necessary. The hands may be
connected for this step.
Wrap
Describes the position in which the
person's arms are held across the
front of their body by their
partner, leader or follower. A wrap
can be from a cross or open hold.
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